![\"\"](\"http:\/\/sonic-places.dock-berlin.de\/wp-content\/uploads\/2012\/03\/tempelhof.jpg\" "\\"tempelhof\\"")
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Imaginative Future \u2013 acoustic potential in the development of major derelict city spaces<\/strong><\/span><\/p>\n Templehof Airport closed in 2008 and is now popular as a vast open park. The future of this unique space is still very much under discussion. A piece of derelict land and a development project of such a dimension can be quite a challenge for city planners but can be as well understood as a gigantic \u2018city laboratory\u2019. Tempelhof sonic spaces will research and explore different ways that sound is created by wind or breath, including wind in trees, kites, sound scultptures, musical instruments and voices. The aim is to make imaginative suggestions as to how wind energised sound might be used to enhance future soundscapes. The presentation of the ideas will be through talks, discussions, performances and in virtual space, through sound mapping by phone apps. [In collaboration with Max Eastley, Tomomi Adachi and Radio Aporee\/Udo Noll.] Soundscape of the future in Berlin Performance<\/em> Installations<\/em> Lectures Panel discussion<\/em><\/em> <\/p>","protected":false},"excerpt":{"rendered":" 18. August 2012 Sonic Space Tempelhof Tempelhof Airfield Imaginative Future \u2013 acoustic potential in the development of major derelict city spaces Templehof Airport closed in 2008 and is now popular as a vast open park. The future of this unique space is still very much under discussion. A piece of derelict land and a development […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/18"}],"collection":[{"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18"}],"version-history":[{"count":64,"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":65,"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/18\/revisions\/65"}],"wp:attachment":[{"href":"http:\/\/sonic-places.dock-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n
\n18. August 2012<\/em>
\nSonic Space Tempelhof<\/strong><\/span>
\nTempelhof Airfield<\/em><\/p>\n
\nHow can urban acoustic phenomena be exploited for city planning? Which possibilities of using the topic of \u2018aesthetic sustainability\u2019 as argument exists and which role play acoustic and atmospheric parameters here?<\/p>\n
\n____________________________________________________________________________________<\/p>\n
\nTempelhof airfield\u00a0<\/strong><\/p>\n
\nTempeltofu\u00a0<\/a>\u00a0by\u00a0Tomomi Adachi<\/a>
\ncomposition for voices, vuvuzelas, bicycles and trombones<\/em><\/p>\n
\nAeolian Phenomena<\/a>\u00a0by\u00a0Max Eastley
\n<\/a>Berlin Resonance: Symphony of a Metropolis<\/span><\/a>\u00a0<\/span><\/span><\/strong><\/span>by Studio Urban Resonance\u00a0<\/a>Valeria Merlini\u00a0<\/span><\/a>\/\u00a0<\/span><\/a>Olaf Sch\u00e4fer<\/span><\/a>
\n<\/a><\/strong><\/span>Sonic Glimpses 2022<\/a>\u00a0[fragments of a sonic future \u2013 heard via the radio aporee android phone app] by\u00a0Peter Cusack<\/a>\/Radio Aporee\/Udo Noll<\/a><\/p>\n
\n<\/em>Radio Aporee<\/strong>\u00a0<\/span>by\u00a0Udo Noll<\/span><\/a>\u00a0<\/strong><\/span>
\n<\/em>Aeolian Phenomena<\/span><\/a><\/strong><\/span>\u00a0by\u00a0Max Eastley<\/span><\/a><\/strong><\/span>
\n<\/em>The ephemral city, architecture, space and the senses<\/span> by\u00a0Prof. Chris Salter<\/a>
\n<\/strong>…\u00a0by\u00a0Markus Bader<\/span>
\n<\/a><\/strong><\/strong>… by\u00a0Thomas\u00a0Kusitzky<\/span><\/a>\u00a0<\/a><\/strong><\/strong><\/span><\/span><\/p>\n
\n<\/strong> Peter Cusack<\/a> Berlin\/London [sound artist]
\nMarkus Bader, raumlabor<\/a>, Berlin [architect, Sofortstadt\/IBA 2020]
\nChris Salter<\/span><\/a><\/strong><\/span>,\u00a0Montr\u00e9al [hexagram, design + computation arts at concordia university in Montr\u00e9al]
\nN.N. [gr\u00fcn Berlin]
\nThomas\u00a0Kusitzky<\/a>\u00a0Berlin [Auditory Architecture Research Unit, UdK Berlin]
\nmoderation: Shintaro Miyazaki<\/a> Berlin [media theorist]<\/p>\n